Tuesday, September 9, 2014

Studio Reorganization


So save a little painting and venting- my post flood alterations are done! i wish i could say the same about the claim with my insurance, but we wont go there now.  instead, i am writing this for the other studio junkies who are always looking or another way to fit more in while still being able to find where everything is.  a friend passed this on to me- 

its an article from the Huffington post of different artist studios.  Fun to see other studios!!  
and i'm a little embarrassed to admit that i am an organization freak,and my studio starts out like one of the super organized one- and a couple months later looks like a chaotic one that is completely a mess!
 but at least when you start with an an organization system, everything does have a home to go back to, when i allot the time to do that .  
anyhow- here are some things i've learned in setting up what  i think  may be my 8th studio if you go waaay back!  
so heres what i have found works best for me: 

STATIONS/ISLANDS:
This is more for those mixed media folk. i am envious of watercolor or oil painters, who have one medium and type of support, it would be easier to organize that space. but  alas, my art ADHD (i've just invented an new diagnosis) requires i have at least 4 different process available to me at any given in time.  it makes things infinity easier if most of what you need is with a step or 2.  My friend and studio neighbor Anne VonEhr.com came in and put on  her interior decorator hat, and helped me sot out  how to reconfigure my mess of a studio.  sometimes its good to get an objective view!! 

so now i have an encaustic area, that is U shaped and is all covered with cheap ceramic tiles from menards siliconed onto tables, or in the case on the right- a wooden door, supports by wire racks that hold supplies.i like having different levels of work space- one for standing one or sitting, and a place to stack the less frequently used stuff.  the spaces under each table are stock full of storage, except where my chair or feet pull in.  note the new fan- set into a piece of Plexiglas so i don't lose my window view of the river! I love to watch for those diving cormorants…

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Right next to the encaustic area is another U shaped area for painting.  the encaustic table on the right can be cleared off to use for painting if need be-.  the shelves against the wall now hold all paint related supplies! hurray. the easel can move (soon to be on wheels), and and my painting cart and water are to my right, since i am right handed. lesser used materials are int the drawers behind the cart.  

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WHEELS- FOR FLEXIBILITY! 
As many things as i can- i have on locking wheels.  that way readjusting your studio for a class, open studio, or different process doesn't not require bribing a crop of burly young men (altho that has its upsides, too :).  i have no sink in my room and have to access water down the hall. i got tired of carry 5 gallon buckets, so have a water cart now. My paint cart can be wheeled over to the collage or sculpture table, or to large piece that has to worked on horizontally. It leaves all my options open. 

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SORTING AND STORING COLLECTIONS
lastly- my collections. ugh. thats a hard one. i have everything from snake skin to antique maps. Trying to put that in some semblance of order so you can find what you need later- or be able to peruse through it is challenging.   since the flooding- i am investing in clear plastic boxes. but first- I tore everything out (it was out anyhow) and instead of organizing it by where i found it ( Puerto Vallarta rocks, Arizona sand, etc) i still have that information with it- but assembled them in broader categories. for example- sea related things on one shelf- critters(crabs, fish seahorse) whelks(love that type of shell) algae/seaweed- you get the idea.  

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then put them in appropriate containers.  



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FLEXIBLE STORAGE UNITS
so the back of cabinets has turned into a collage area- at least for now. again- i like to have an upper level of workshop ace for easy to reach tools no matter who big the space, i inevitably end up with a little 12x12 square to work with. having the tools off the surface helps me.  here- i hung cheap ikea containers on flexible closet shelving form the home depot.  working great so far!!  and this area is till evolving, so i can add or raise and lower shelves, depending on my needs.  

well- wood shop and back room still to be dealt with - but feels much better now! FINALLY can go and play!!! hope you can too. I love to see studios- send or post me yours!  


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Cheryl Holz

Monday, July 28, 2014

"What can I set on fire today?" or- further explorations into encaustic mixed media….

Today I just had to try some new experiments out of “Encaustic Mixed Media” by Patricia Baldwin Seggebruch.  She feels like a kindred spirit- willing to try any new medium or material!

WOOD GLUE:
So who knew? Spread directly on wood panel, then set it on fire even before it dries.  The wood portions that aren’t covered turn a lovely burnt sienna/umber color… Fun! But stinky. I probably went a little too thick; cause still wasn’t completely dry when I left 5 hours later…. will have to wait to continue that one…but have some lovely organic shapes and tones to work with….


ALCOHOL INKS:
This makes me very happy! I love inks, and of course have a gazillion acrylic inks- but as far as I understand it, I can’t use them with wax.  BUT apparently alcohol inks are kosher. So- I googled what brands are alcohol based, and lo and behold, after digging in the back room, I unearthed some jacquard piñata paints. I used them for painting ornaments- who knew they come in handy this way? See- I can rationalize buying and keeping forever any art supply purchase…so here’s how I played with them…

Poured and splattered first on clapboard

Then covered everything with amber shellac.


And –yes, you guessed it- set it on fire! 
You get this lovely bubbled and speckled surface.
  
detail shows you a bit better….



This isn’t, of course, done- but allows so many lovely entry points to continue working ….

Friday, July 11, 2014

Fun with Fire! Delving into Encaustics...

It is inevitable. I can’t go more than a year or two without adding another technique to my arsenal of processes!! Discovering the new possibilities is exhilarating for me, and fuels a whole new chapter of work. 

 Recently I want to open studio night at the fabulous Starline factory open studios, http://www.starlinefactory.com/ and fell in love with Carol Hamilton’s encaustic work. http://carolhamiltonarts.com .  I brought a piece home, and signed up for a workshop! I had worked with beeswax in the early 90s as a covering for the natural porous materials I was using, and loved the creamy, dreamy matte surface.  However- I remember sitting at an art fair on a 95 degree day and watching the wax start to melt.  I’m sure I did not add enough dammar varnish (or any at all?)  I can’t recall, so anyhow wrote it off as too fragile a medium to endure sitting in an aluminum trailer in Chicago’s hot or freezing weather.  Now, 20 or more years later, I am no longer sitting at art fairs every weeknd, so thought it was time to revisit this again. 

Hers a pictorial trek thru my latest dive into encaustics:

Workshop-
Carol gave us the basics, and then we to to play.  Was also good to look at her range of work (love the 3D aspect- still to be pursued) and seeing how she set up her studio to accommodate the heat and fumes encaustics make. (Great- another toxin. :(  )
I just LOVE how fire moves the wax paints around, creating fluid organic shapes and patterns. It reminded me of pouring ink-but you use fire instead of water to push things around. AND –big bonus- you don’t have to babysit them and monitor them for hours as they dry and change.  These set up pretty quickly- perfect for a manic impatient artist! I was hooked.   So the last couple weeks have been spent scouring resale shops for heating elements, begging for art supply coupons form friends, and setting up an encaustic set up in the studio.  It is growing…


Then the best part- experimenting when it’s all fresh and new. Just like at the beginning of a brand new relationship when everything is exciting and new… remember that?  So I am relishing that!

So here’s what I’ve tried:

Shellac:

LOVE this! Paint it on, place it in my beverage metal bucket, and set it on fire!! The resulting amber patterns that occur are so lovely I want to put everything in the bucket and set it on fire. Don't visit me right now.
What i set on fire today....

Incising:

So I love drawing back into my work- bit with acrylic, you had a small window to do that before things go too….plasticy.  Here- I can use a needle tool to stipple, scribble and write into the piece until the very end.  Then stain it- (LOVE staining too) to get an almost etching like mark.

Collage-

Can embed papers, leaves, rocks, pods and…..??

Pan pastels: 

So while impatiently waiting for the beeswax to melt, I pulled out the pan pastels and tried them on the luan. FUN! Erased back in…. then read later that they could also be applied to the surface of wax!! Finding more ways of folding this into what I already do…


Transfer-
SO darn easy to transfer images!!  Been looking for this my whole life. Don’t have to make a screen, or endlessly coat papers – just make a toner copy and burnish on to warm surface. Scrub off back and – damn! Right there.  Bonus- if you torch it- it will break up and move about (at least I think that's a bonus.)

Ok- I confess I DO have some pyro tendencies, apparently…

So- to be continued. Right now- I am working small and experimenting. I’m sure working larger will bring it’s own challenges, but for now, I am vey happy with making small “tests”.  I dream about it, wake up thinking “I’ve got to try incising with a linoleum cutter next…”  or something like that…

Here are some of my test babies: 
    


  





BONUS- 
1. I don’t have to clean brushes!!
2. No waste- turn off the skillet, and everything is there waiting for you tomorrow without having to cover it up.
3. Transfer process is a dream!
4. Collage and mixed media capabilities are endless!

DOWNSIDES:
1. Beeswax taxes my patience waiting for it to melt-or I need better equipment.
2. Toxins- need to look into some better ventilation.
3. Fire risk- the fire dept. every year has told me to move my fire extinguisher out of the back room.  It is now very close to where I work!
4. Cost- pricey to start, at least…




























Thursday, June 12, 2014

Digging In….

OK, I’m frustrated I cant jump right into "work" yet again today, but must continue to dig out from the fracas left behind from flooding /leaking roof! 

A couple weeks ago, right as our new roof was being put on at the studio, we were hit with a torrential downpour, which resulted in lots of flooding at the studio.  Not too much artwork was lost- THANK YOU UNIVERSE!  Mostly materials and supplies I’ve been collecting over the last 20 years, some of which were tearfully parted with (how can I submit a receipt to the insurance company for antique topographical maps, grandma’s sheet music, and boxes of pressed leaves?)  
OK I admit I DO have some hoarding tendencies- but I can rationalize that impulse (can’t most collage artists?) because of what I work with.  When I am working on a piece in December that needs a green leaf to finish it off perfectly- I can’t run outside and get one.  I had to collect that earlier in eh year, press it, preserve it, and store it.    That bird’s nest I found on the walk with the dogs, the perfect paper wasps nest, and the maple leaf wings- none of these things can be ordered from dick blick. I relish their forms and meaning- but must figure out a way to store them so that they are accessible- and protected form the next natural disaster:) 

And now that I am over the shock of it, I am viewing this as a forced opportunity to reorganize, clean, and purge, and I reluctantly admit that I am kind of enjoying this process.  (But I am wondering- the next time someone asks me how long it took to make that painting- can I count this time spent getting studio back in working order?  But I digress.... I hate that question...) now I want EVERYTHIGN to be in a waterproof plastic bin, so have invested in dozens of clear storage boxes.  

When it becomes overwhelming and I need to take a break- I treat myself to a chapter of "Inside the Artist’s Studio", which shows the studios of 50 artists, and features interviews with them about how they work, what their favorite tools are, their creative practice and how they create a work environment for themselves.  

It is a great complement to reorganizing the studio, seeing how others have tackled their spaces. Gives me some ideas on how mine might work better…and reassures me that my studio is not the messiest one out there… Back to work...


Todays task is the collection wall- so here I sit, enjoying going thru the boxes of rocks, sea shells, and fossils, and reminiscing on their collection (remember that long walk in Marin county when I got that rock?).  These natural specimens are many times the impetus for new work, so as I go through, I am enjoying the process of revisiting why I chose to keep it in the first place, and consider how I might employ it today, years after it joined my collection. 



So here’s what was going thru my head as I purge/sort/organize: May give some insight into how my pieces evolve....

Questions while sorting thru:

 The rock shelf:
- The color in those stones from Sleeping Bear Dunes are so varied and beautiful- what about a piece about place that addresses the geological history that went into making them? 
-Why do most of the Lake Superior rocks have a red tint? Some research needed there...
-YEE HA!  I STILL AHVE SOME MARIN COUNTY MOUNTAIN rocks left!  Love that teal and ochre mixture....

The sea shelf-
--Just came across a gorgeous portion of whelk shell showing the undulating curves inside. Time for another golden proportions piece! Do the math, include it....

- The fossil shelf:
-How can I incorporate that shard of fish fossil into a surface - without damaging it? 
- The fungus on that crocodile scute is awesome, but so little. Could I reproduce that texture on a large scale, and have that featured in a little niche? Or adhered to the front? 
-Ammonites, ammonites, ammonites, I am in love with that swirly spiral..... How to incorporate: make a rubbing of it? Make a mold and press it into surface? Draw that math diagram that they instinctively know how to use...
-I HAVE PEACOCK ORE! Forgot that that was there, buried in a bag in a box....
- Could that ammonite dangle like a pendulum? 
-Small resin cast of turtle shell- stain back to bring out texture and use as focus, incorporate the screen of turtle, and the tracks they leave behind in the sand? And I just found a turtle shell fossil! Use together? 


Stay tuned to see how they develop!

Friday, May 2, 2014

Less talk - more action!!  felt the need to paint and pour… so here's a visual recap of the week at the studio….
a light layer first….
a water resist….
selecting imagery by laying transparencies on…
selecting palette
preparing for pour-being able to mist, spray, splatter and drip each color
pour, play, react!
set up to screen...
results...
drying time for pieces- and screens...
seal...
hang and contemplate
put scale version in sketchbook…
bark, leaves and inset planned for this one
butterfly wing needed here...
inset for fossil?
…and rest.