Creating Valentine Card Compositions

So now that 2016 edition of blocks old love are done, it's time to move on to some mail art-Valentines! 

Mail art (also known as postal art and correspondence art) is a populist artistic movement centered on sending small scale works through the postal service. It initially developed out of the Fluxus movement in the 1950s and 60s, though it has since developed into a global movement that continues to the present.

While I was creating the blocks, I threw out some papers, tag board that the print shop below me was recycling, and pages of text saying "love you" in different languages. I  had some fun pouring/ splashing/ spraying on them to use as collage fodder.

When I started screening on text and hearts on the blocks, if I had any extra ink on the screen,  I turned to one of the papers and added it where it seemed best.

this is the poem "how do i love thee?"by Elizabeth Barrett Browning screen in white

This one layers the poem over the pours, then the word love in a different font and color.

Once I had a nice assortment of papers, it was time to turn them into card size collage
compositions.

My favorite ways to do this is to use cropping tools. Even to an experienced eye, it can be overwhelming to select what portions of the piece to work with. I really love creating this way because it allows a very freeing start where you are not necessarily concerned with the overall piece, and are able to totally focus and react to what is going on in the surface. Later you'll evaluate and take what works, and either throw out or rework what did not. I do this on a bigger scale on clay-board and boards sometime. However, it's much easier to work with paper and just cut or tear rather than saw and sand before nailing, gluing and assembling.

At any rate some compositions were very easy-All I had to do was tear out a rectangle, sometimes adding text or a heart, because i had already considered the compositions as i was layering on screens of text,  Others involved a bit of layering and stacking of hearts, and re-working- Il'l go into those next week! 

Meanwhile, you of course want them to arrive in an artful envelope as well- so did a simple spray resist to liven them up. Got some fabulous stamps so just need to address and pop in the mail! 

So here are a smattering of the first batch....

Irish ATCs

( These were scheduled to be posted while we were in Scotland and Ireland- but Blogger had different ideas. So- a little late but the art remains the same)

As you are reading this- I am now in Ireland!!  It is a big part of my heritage, but I noticed that the closer the trip got, the more my choices became Celtic ones.  I am going to show you what that looks like here! 

Ogham ATCs

I first became acquainted with Ogham characters during my first trip to Ireland almost 2 decades ago. While seeing the Book of Kells exhibition at Trinity College, these intriguing writings just grabbed me for some reason I can't completely articulate. I bought a postcard to remind me of the marks, (no photos allowed!) then found many other examples on various rocks and ruins during the rest of the trip. I came back and did a little research, and although I am not a linguist, this is my best explanation: It is an ancient alphabet whose characters are based on 12 trees. Found throughout  Ireland, archaeologists now think it might have been more widespread than that- because they've unearthed examples in north and south America that also contain examples of it.  At any rate- the following pieces have excerpts from the Book of Ballymote, in which the priests during the dark ages tried to record what knowledge and history they could preserve.  For some reason, in my mind's eye, a line of Ogham finished these perfectly! 

Irish music

And then, of course, there is Irish music.  After having just seen U2 in concert a month ago, I am still reliving that concert via their songs while working at the studio!  So this piece once again started with alcohol inks on encaustic board- a lovely surface for encaustic. 

I added some contrasting pan pastel blue, then wrote in the U2 lyrics that were playing while I worked- a favorite song of mine-  "Walk On"

  (All that you can’t leave behind is not just referring to actual luggage :) I collaged on a little strip from an old fossil book, and then waxed it. I then took a photocopy of some grasses, “auditioned” them on top of the piece, liked how it looked and what it added, so made a silkscreen of it. 

Screened it on, added another layer of wax, and stopped before I went to far!!  

Here is Walk on -performed live at Slane Castle in Ireland. Imagine! 

Slainte!

The Commission Process Step 3-Practicing the Pour....:Shirley and Roger

So while I was patiently waiting for the custom panel to be built  (or maybe not so patiently), I thought I’d start “practicing” for the pour, or the first step after gessoing. I love and hate pours-they can be so fun, freeing, and immediately gratifying once you are done with the mixing and set up. It’s kind of like painting room-many times it takes longer to prepare the room than to actually paint it. This is definitely the case with pours.  They can be really really fun and beautiful with all sorts of different viscosities of paint and pigment branching and flowing into one another, or they can go really really badly, ending up with one big muddy runny mess.   Or you can leave come back the next morning and everything has migrated to a completely different part of the painting than where you put it initially. So pours are exciting and nerve-wracking at the same time. It is controlled to a certain extent- and the rest relies on instinct and gravity.  At any rate, the following is a video of me doing a pour.  It was preceded by three prior pours, which were less than stellar. Those could not be used due to the many obscenities uttered in the making :) 

I do want to stress that this is the very first FIRST step of many in the process of making a painting.  The next step requires a lot of sitting and staring, nail biting, fretting, and pacing deciding what to keep, what to delete, and what my next step will be.  That, however, would make less than stellar video, so I’ll just give you the fun part here: