Creating Valentine Card Compositions

So now that 2016 edition of blocks old love are done, it's time to move on to some mail art-Valentines! 

Mail art (also known as postal art and correspondence art) is a populist artistic movement centered on sending small scale works through the postal service. It initially developed out of the Fluxus movement in the 1950s and 60s, though it has since developed into a global movement that continues to the present.

While I was creating the blocks, I threw out some papers, tag board that the print shop below me was recycling, and pages of text saying "love you" in different languages. I  had some fun pouring/ splashing/ spraying on them to use as collage fodder.

When I started screening on text and hearts on the blocks, if I had any extra ink on the screen,  I turned to one of the papers and added it where it seemed best.

this is the poem "how do i love thee?"by Elizabeth Barrett Browning screen in white

This one layers the poem over the pours, then the word love in a different font and color.

Once I had a nice assortment of papers, it was time to turn them into card size collage
compositions.

My favorite ways to do this is to use cropping tools. Even to an experienced eye, it can be overwhelming to select what portions of the piece to work with. I really love creating this way because it allows a very freeing start where you are not necessarily concerned with the overall piece, and are able to totally focus and react to what is going on in the surface. Later you'll evaluate and take what works, and either throw out or rework what did not. I do this on a bigger scale on clay-board and boards sometime. However, it's much easier to work with paper and just cut or tear rather than saw and sand before nailing, gluing and assembling.

At any rate some compositions were very easy-All I had to do was tear out a rectangle, sometimes adding text or a heart, because i had already considered the compositions as i was layering on screens of text,  Others involved a bit of layering and stacking of hearts, and re-working- Il'l go into those next week! 

Meanwhile, you of course want them to arrive in an artful envelope as well- so did a simple spray resist to liven them up. Got some fabulous stamps so just need to address and pop in the mail! 

So here are a smattering of the first batch....

Making Blocks O'Love

I love the LOVE holiday! Smack dab in the middle of winter, I  need a little splash of color and love to get me through to spring. So around this time every year, I change my color palette to magentas, purples, pinks and reds.  Last year I made batik paper Valentines, this time I had more of an object in mind, but couldn't find exactly the right support, so went to the lumberyard and bought the biggest chunks of wood I could find. I came back to the studio, cut them up, gave em a good sanding

  

 and coated with several layers of gesso.  Next -color palette!  I never allocate enough time for this, or realize how much time it takes because it's fun to pick colors!  but it takes time to make the colors in front of you matched the colors in your head, and then to make sure that each type of sprayer, squeeze, bottle, or applicator is working correctly so I can spray, splash, pour, or drip!

I had decided to incorporate some poems and words of love into these, and figured silkscreens would be the best way.  So spent an afternoon playing with type/text on the computer,  and then with ink and japanese brushes making loose hearts to use for my silkscreen imagery.  

Finally, I got to play! i "warmed up" in my art journal first- a safe place to experiment-
  

Then jumped in!  I spent a very fun afternoon splashing, pouring, and  spraying. I made about two dozen so far, too many to go over all in here, so I'll feature a couple this week.

First layer of inks, spray paint and gesso. 

Then I "audition" which screens i want to use by laying a transparency over the painting. 

i ended up going with Elizabeth Barrett Browning's poem "How do I love thee?" for the piece on the right. Once i have it where i want it- i screen it on. 

 

I decided I wanted to obscure the lower right a bit- so went back in with the burst of white. Then I cut a stencil to fill the inside of my silkscreen heart, and spray paint it on, then quickly scrubbed and sanded away to rough up the surface and make it more interesting....

then finally line up the silkscreen, and add the back contrasting heart (painted earlier with Japanese brush, then made into a silk screen) 

Finished piece! 

At this point, this one is still available but they are going fast! 

http://www.cherylholz.com/art/detail.php?artid=1130093

One thing leads to another…or being led by your love of subject matter

I guess it started out with this large collage.

 I am always on the lookout for texts/books with a natural history slant, and a particularly fruitful visit to the Kane county flea market garnered me quite a few treasures…  so I started out with a collage from parts of an antique birding book, then thought perhaps I could use those wing diagrams that I found years ago, so I dug them up and made a silkscreen of them and included those as well. And that lead me to thinking of nests and eggs and spending way too much time looking at a field guide to bird’s eggs and evaluating their different patterns and how they are made.  So of course, I had to stop and make a screen of those as well. Fast-forward and here is the result.  

Nature Ephemera:  Flycatcher Fossil Fungus

http://www.cherylholz.com/art/detail.php?artid=124467

Well as it frequently happens, one piece leads to another.  Sometimes its preplanned and logical, but sometimes its merely not wanting to waste the rest of the palette you've mixed or that screen that's loaded with ink and will just go to waste, so why not put it on…. (she thinks as she looks at all the potentially eligible projects/problems/prospects on the wall…)  that one.   I found two potential recipients.  And so that's how these two what I like to call “peripheral pieces” were started….

And there they stayed for weeks, with countless options being considered for the center/focal point.  An actual nest and egg were an obvious choice-sure! That would be fun, and although I have a good collection of both- none of them were a perfect fit. So- they hung there bugging me.

   

   Then I did an acetone transfer onto an old page for another piece, and perhaps it was the palette of the old page that seemed to lend itself to the colors of my unfinished panels…or? But anyway it hit me that this could be the solution.  . …and as soon as I tried a very old birding illustration on that page- that was it. 

"Ovenbird"

"Tree Swallows on a Wire"

So not only did they provide the focal points for these two, it spurred me on to other pieces.  I greedily went thru pages of this old book, selecting birds not only for their beauty- but getting sucked into reading about their habitats and behaviors… not really what I should be doing with a big deadline looming on the horizon! But those passions fueled these small ATCs (Artist Trading Cards) and were the perfect solution for me to use more of that bird imagery- and my feather collection- on a small scale….

 

I totally enjoy playing around with pure abstraction of color and pattern- but it is just not enough for me.  I am compelled time and again to incorporate examples from nature that relate…. and if it leads to hours perusing birding guides, then so be it.    I guess I am really am a wannabe naturalist with an artistic bent.  I plan on continuing this birding series further…Stay tuned...

Irish ATCs

( These were scheduled to be posted while we were in Scotland and Ireland- but Blogger had different ideas. So- a little late but the art remains the same)

As you are reading this- I am now in Ireland!!  It is a big part of my heritage, but I noticed that the closer the trip got, the more my choices became Celtic ones.  I am going to show you what that looks like here! 

Ogham ATCs

I first became acquainted with Ogham characters during my first trip to Ireland almost 2 decades ago. While seeing the Book of Kells exhibition at Trinity College, these intriguing writings just grabbed me for some reason I can't completely articulate. I bought a postcard to remind me of the marks, (no photos allowed!) then found many other examples on various rocks and ruins during the rest of the trip. I came back and did a little research, and although I am not a linguist, this is my best explanation: It is an ancient alphabet whose characters are based on 12 trees. Found throughout  Ireland, archaeologists now think it might have been more widespread than that- because they've unearthed examples in north and south America that also contain examples of it.  At any rate- the following pieces have excerpts from the Book of Ballymote, in which the priests during the dark ages tried to record what knowledge and history they could preserve.  For some reason, in my mind's eye, a line of Ogham finished these perfectly! 

Irish music

And then, of course, there is Irish music.  After having just seen U2 in concert a month ago, I am still reliving that concert via their songs while working at the studio!  So this piece once again started with alcohol inks on encaustic board- a lovely surface for encaustic. 

I added some contrasting pan pastel blue, then wrote in the U2 lyrics that were playing while I worked- a favorite song of mine-  "Walk On"

  (All that you can’t leave behind is not just referring to actual luggage :) I collaged on a little strip from an old fossil book, and then waxed it. I then took a photocopy of some grasses, “auditioned” them on top of the piece, liked how it looked and what it added, so made a silkscreen of it. 

Screened it on, added another layer of wax, and stopped before I went to far!!  

Here is Walk on -performed live at Slane Castle in Ireland. Imagine! 

Slainte!